China Miéville – Railsea (Book Review)

Railsea cover

China Miéville – Railsea

Though I am a huge fan of China Miéville, I put off reading Railsea for a full year. It’s his second young adult book, and his first, Un Lun Dun, had been his only bad novel to date. That book introduced a world filled with arbitrary, pun-filled wonders that didn’t even begin to form a cohesive whole, and felt like Miéville was just not understanding or respecting his audience.

I needn’t have worried. Railsea takes an entirely different approach to adapting Miéville’s writing for young adults. Now, I’m not sure how many children are going to want to read through the novel, as it’s filled with big words and complex concepts. If you’re already familiar with him, though, it works, and he feels free to invent his most wild and exciting world in years. It’s difficult to describe the setting of Railsea without making it feel ridiculous. Suffice to say, it involves a desolate world filled with railroad track that trains traverse like ships on the ocean, and the ground below them swarms with burrowing beasts that make it as dangerous to go overboard as it would while sailing. Many trains hunt giant moles, and the captains are generally motivated by Moby Dick-like nemeses. And that’s just the basic setting, without the truly fantastical details. But Miéville, being Miéville, makes it work.

Normally, Miéville’s name on a novel also means that it will be violent, cynical, and likely have an unsatisfying ending. I’ve said before that his gift is for world-building, but his heart lies in world-destroying. This was his main concession for the YA audience. It’s still a bit bleaker than many young books would be – expect some murderous, corrupt government agents, for example – but throughout nearly the whole book, the feeling pervades that this is a “safe” story, which will follow the expected patterns and provide most characters with the ending they deserve. And this does require some people to act in selfless ways that seem to be against their normal personality, as well as some plot-hammering to reintroduce people who are spread about the world. If my familiarity with Miéville made the convoluted (but fun) prose easier to accept, it also made the gentle plot feel jarring. After wishing that he would stick to more standard endings from time to time, I learned that it wasn’t really what I wanted.

Sure, there are other aspects that fit the young adult audience. The basic sketch of the story is definitely designed that way: A young orphan learns about himself, and picks up a clever animal sidekick, while on a quest that introduces him to other children who are more capable than adults. But it is usually hard to pick out the standard YA threads from all the Miévillian flights of imagination. Overall, even though I don’t know how right this is for most young readers, and I found the plot less satisfying than normal, the prose and setting will be a treat for any fan of his. I’m hoping for more pure worldbuilding fantasies like this.

Grade: B

 
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