Posts Tagged ‘ Shakespeare ’

Ryan North – To Be Or Not To Be (Book Review)

To Be Or Not To Be cover

Ryan North – To Be Or Not To Be

To Be Or Not To Be is one of the strangest projects I’ve seen lately: A choose-your-own-adventure version of Shakespeare’s Hamlet. It’s an interesting but also ridiculous idea, and the author plays up this idea with plenty of absurd humor.

Just a year ago, I gave the original Hamlet a weak recommendation, saying that the language and title character were fascinating, but the plot and other characters were poor. This puts me in an interesting position with To Be Or Not To Be, since it’s entirely re-written with new prose. Author Ryan North of Dinosaur Comics fame is a very intelligent man, but he’s known more for writing dialog like “I am tripping all the balls” than philosophical soliloquies. Admittedly, North is good at that style. He’s arguably even the Shakespeare of faux-dumb AWESOMESPEAK, but that doesn’t necessarily mean his style is a natural replacement for Shakespeare.

While this new book loses a lot of the original’s language, it adds a lot of humor. Weird situations, modern humor, literary humor, and random factoids all show up throughout the book. There’s even a choose-your-own-adventure Chess game stuck in the middle. (Not to mention that the play-within-a-play of the original has been replaced by a gamebook-within-a-gamebook. And it fleshes out some parts of the story, like why Polonius would want to hide behind a curtain.) I bought this expecting a lot of laughter and not much literary value, even given my interest in gamebooks as an untapped art source, so I can’t say that that surprised me.

I was surprised, though, by the interesting points that North makes throughout its retelling of the original story. This offers a lot of choice, even letting you play as other characters or setting off to become a pirate, but it also marks the “canonical” choices with cute little skull icons in case you want to play through the Shakespeare version of the story. Usually I feel like the only person willing to point out that Hamlet is filled with flat characters and stupid decisions, so it’s a relief to see North poke fun at the same things. The book actually makes fun of you for doing ridiculous things, and gives you plenty of chances to kill the King easily instead of moping around for weeks and acting crazy. It even berates you for sticking to the original’s misogynistic treatment of Ophelia. Though this version’s depiction of Ophelia (an ass-kicking, liberated woman scientist) is not supported by the real text at all, its point is well-made. In fact, although I wasn’t expecting much from this as a story, I found the canonical walk-through to be very satisfying. It guides the reader along a predictable path, but also gives them enough agency that they feel responsible for their decisions. It examines the story by making the reader an active part of the experience, and that calls attention to things we’d otherwise ignore.

However, there are many other plot branches through the book. I have to say that most of them undermine the point that the main path makes about the ridiculousness of Shakespeare’s writing. This book can let you play Hamlet’s dead father and give up vengeance for marine biology, or lead an army of ghosts against an alien invasion in the future. With options like that, it’s difficult to complain about the holes in Shakespeare’s version.

I should also mention the Kickstarter campaign that funded this book. For the most part, I try to rate this separate from a campaign that you can no longer choose to join, but it’s pretty difficult to separate my appreciation for this from the Kickstarter in general. This was the campaign that made me realize how valuable it can be just to join a community with the creator being backed, and I felt like I’d gotten my money’s worth out of the project updates even before the book arrived. I also ended up with a multipronged bookmark designed to hold different places in a branching story and a small “prequel” adventure called Poor Yorick. (The bookmark is cool but impractical to use, and the book has as simple a structure as it’s possible to find in a choose-your-own-adventure, but it certainly is funny.) But some of the bonuses from the Kickstarter did make it into this book. It is huge, with over 700 pages, and color illustrations at each ending provided by a Who’s-Who of webcomic artists. Yes, the two-page spread at each ending (one picture plus a “THE END” page) does eat up many of those 700 pages, but it’s still a lot of story. Usually, I feel compelled to read through every path of a book like this. In this case, I got my fill long before I’d finished it all, and I look forward to coming back from time to time so I can page through to new surprises.

So is To Be Or Not To Be worth it? Well, first of all, it provides a great reason to read Hamlet in this modern age. You’ll understand a lot more of the jokes that way, and gain an appreciation for why people say you should read the classics in order to get modern references. Beyond that, though, I also recommend this book. Yes, it’s a flawed treatment of a flawed story, and so it only gets halfway to the brilliant deconstruction it teases us with. But it’s a humor book in the “court jester” style, able to speak truths that the intelligentsia often ignore because they’re couched in dumb jokes, and it also provides as much funny Shakespeare gamebook content as you’ll ever want. This is a good deal.

Grade: B


Shakespeare: A Discussion and Review

This might be a weird article, because it’s the one where my geeky pop-culture blog discusses Shakespeare. And after praising a lot of trashy modern works, I might not have much credibility when I say that I’m not a fan of his.

In general, I have a complicated relationship with classic works. I think it’s very important to understand the past, and there is a lot of good that comes from a shared cultural knowledge for modern artists to reference. On the other hand, I believe that most art is and should be ephemeral. Whether it’s for pure entertainment or a deeper understanding of the human condition, a person picking up a book or listening to a song has different needs and cultural touchstones today than they did in past centuries. There’s nothing wrong with that. And while my personal rating system can be arbitrary, the most important thing is how much entertainment I get out of a specific work. (Being me, “entertainment” might be anything from amusement to deep thoughts and new ideas, but it has to be something.) If a story gives me an appreciation for its time and place, then that is a mark in its favor, but if it assumes that I already know the events it refers to, or the language of the time, then I’m not going to cut it slack for that. Half of the works that I give A grades to today will probably be irrelevant in 20 years, and many of the classics that I dislike would have seemed great if I’d lived in the right place and time. I’m ok with that; If I think that art is ephemeral, I can’t expect anything more from the opinions on this blog.

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